Icon Nicholas bishop of Myra the Wonderworker with two bystanders patron saints. Middle of the XIX c Central Russia.

Icon Nicholas bishop of Myra the Wonderworker with two bystanders patron saints. Middle of the XIX c Central Russia.
Wood, gesso, gold leaf, lacquer, tempera. Dimensions 21х28,5. Scholastic painting.

     Icon Nicholas bishop of Myra the Wonderworker with two bystanders patron saints St. martyress Natalya and Saint Andrew fool for Christ's sake.

A classic example of a family icon with the namesake saints all painted together in full-length. Acheiropaeic image of Jesus Christ over the heads of the saints. Fair clear painting of faces, hands and legs not covered by dress and dresses, elongated silhouettes of the saints, the gold-ochre background and margins, and the font indicate that the icon came out of a workshop in central Russia in the mid-19th century.

      Preservation: chipped gesso on the edges, loss of color layer, actual delamination of the panel along the plane, through crack at about 5 cm from the right edge. Stabilizing of the state of the icon with wooden strips of wood on the back of an icon-nails was performed at least 50 years ago or earlier. Painting without restoration.

 Middle of the XIX c Central Russia.

圣像“米尔利基斯基的尼古拉斯奇迹工作者”与两个前面站的神圣的保护者。十九世纪中叶。中俄罗斯。树，白底 漆，金箔，水胶颜料，色调清漆。尺寸：21х28,5.专业学校写作。

圣像“米尔利基斯基的尼古拉斯奇迹工作者”与两个前面站的神圣的保护者：神圣的殉道者纳塔利亚与圣安德列伊 -圣愚为了基督。

一个家庭偶像的经典例子，每个同名圣徒画在完整的成长中。在圣徒的他们头顶上 耶稣基督神奇的形象。圣徒和他们的衣服的美丽清晰的绘画，圣徒的细长轮廓，金色赭石背景，字体表明该图标于 十九世纪中叶离开俄罗斯中部的车间。

情况：圣像的边缘白底漆有缺口，涂料层损失，板沿平面分层，右边缘约五厘米处出现贯穿裂纹。用钉修复圣像至 少在 50 年前或者更早时进行。

绘画没修复过。

十九世纪中叶。中俄罗斯。