FINE ART, DESIGN & OBJECTS OF VERTU
28.10.20
(Il tuo orario)
Francia
Le Park Palace Avenue de la Costa 98000, Monaco
Condizioni di vendita
Vedi demo
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Lots 506, 507, 509, 511, 513, 515, 516, 517, 518, 520, 521, 522, 523, 524, 525, 558, 559, 560
The following lots are subject to Artist's Resale Right (an additional 3% will be added to hammer price)
(Authors of original works of art are entitled to a royalty each time one of their works is resold through an art market professional)
Lots 504, 518
L'asta è terminata
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LOTTO 502:
HENRI LE SIDANER (1862-1939)
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Venduto per: €10 200
Prezzo iniziale:
€
15 000
Prezzo stimato:
€15 000 - €20 000
Commissione per la casa d'aste: 27%
IVA: 17% Solo su commissione
Gli utenti stranieri potrebbero essere esentati dal pagamento delle tasse, secondo il regime fiscale vigente.
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La rue au clair de lune, Villefranche-sur-Mer
Signed ‘Le Sidaner’ (lower left) Oil on board 40,6 x 26,8 cm Executed in 1925 Provenance: Louis Le Sidaner, the artist’s son from whom purchased by Maurice Sternberg Galleries, Chicago Purchased from the above by present owner Christie’s auciton Private European Collection Literature: Y. Farinaux-Le Sidaner, Le Sidaner, L’oeuvre-peint et grave, Paris, 1989, no 1194 (illustrated p.374) Painted in 1915, La rue au claire de lune, Villefranche-sur-Mer (1915) is a picturesque work of French post-impressionist artist Henri-Eugène Le Sidaner (1862-1939). This painter spent a lot of time in Villefranche-sur-mer, first in 1910 and then on several occasions between 1924 and 1928, staying at the Welcome Hotel. Seduced by Villefranche-sur- Mer, Le Sidaner created a series of paintings inspired by the tranquillity of this idyllic town of the Côte d’Azur. La rue au claire de lune, Villefranche-sur- Mer and the rest of the series were painted during his intimist period, when the artist played with light in tribute of the French countryside. Born in Mauritius, he studied in Paris, where he discovered impressionism and symbolism, the art movements that played a big role in his glorious phase of landscape painting. In the early 20’s, he abandoned human figures to throw himself into a neo-impressionist technique that merged together sweet tones and mysterious atmospheres, where the central theme were all kinds of light plays, especially on water. When asked which artistic movement he identified himself with, he simply answered “None. But if you absolutely insist on categorizing me, I am an Intimist.»
HENRI LE SIDANER (1862-1939)
