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ЛОТ 191:

Collection of Kabbalistic Works from the Beit Medrash of Rabbi Yisrael Saruk. Ashkenaz, 18th Century

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Collection of Kabbalistic Works from the Beit Medrash of Rabbi Yisrael Saruk. Ashkenaz, 18th Century

Manuscript including a number of kabbalistic works, all from the beit medrash of kabbalist Rabbi Yisrael Saruk. Ashkenazic manuscript. 18th century.

Specifications: [112] pages. 20x16 cm. Nice Ashkenazic hand. Leaves 8a and 49b feature sketches. Incomplete at the conclusion. Owner signature: The small one, Yehudah Leib of Dessau.

Content of the manuscript, according to the titles: Sod HaTzimtzum and [V'Avir Kadmon] and Adam Kadmon (p. 1-18)

Drush "MiTalmidei HaAri" (p. 19-29), it opens "k'sh'ala bi'rtzono ... one must ask, it is possible in relation to Hash-m that he desired?"

Drush Shiur Komah Kabbalat haChacham Rabbi Baruch ben Baruch (27b-55), according to the catchwords it seems that two leaves are missing. Drush Shiur Komah was essentially written by Rabbi Saruk. However, the critique was penned by Rabbi Baruch son of Baruch, and therefore the whole work is attributed to him. (Refer to Y. Avivi, Kabbalat HaAri, Jerusalem, 2008, p. 493-494).

Limudei HaAtzilut MeiHaAriz"l - on the last leaf there is a gloss that opens "and it seems to me, Ezra HaTzair" - this is apparently The Rema of Fano, Rabbi Saruk's outstanding disciple.

At the conclusion of this manuscript there is an "Ilan HaSephirot" - a large, folded chart, incomplete, made by hand. However, the names of the spheres and the progression of the world was not filled in.

Rabbi Yisrael Saruk was one of the most prominent kabbalah disseminators in Europe, primarily in Italy. He had a tremendous influence in every place that he lived.

Rabbi Baruch son of Baruch of Salonica, author of Kehillat Yaakov (Venice, 1599), moved from Salonica to Venice, where he met Rabbi Saruk and studied kabbalah with him. It seems that he was the first Salonica sage to study Rabbi Saruk's kabbalah (Refer to: M. Binayahu, HaYachasim SheBein Yehudei Yavan L'Yehudei Italia, p. 189-193).

Condition: Fine. Stains. A number of detached leaves. Antiquated, detached leather binding.