מכירה פומבית 61 חלק ב' FIELD of WONDERS with a military-historical bias and with a leading !!!
The Arc
29.11.20
Moscow, embankment of Taras Shevchenko, d. 3, רוסיה
Books, unique photos, posters, 2 items from the criminal case of 1939.
המכירה הסתיימה

פריט 1217:

Autographs. Bergholz Olga. Selected works in 2 volumes.


מחיר פתיחה:
88 р
עמלת בית המכירות: 20% למידע נוסף

Autographs. Bergholz Olga. Selected works in 2 volumes.
M. Fiction, 1967. - 364 p., 652 p. Hardcover, reduced format (13 x 17 cm). The bindings are worn and faded; with gift inscriptions from the author Lillian Hellman.



[Lillian Hellman (June 20, 1905, New Orleans, Louisiana — June 30, 1984, Tisbury, Massachusetts) was an American writer, screenwriter, and playwright.

Lillian Hellman was traveling in Spain at the height of the civil war. Impressed by what she saw, she wrote her first anti-fascist play, the Watch on the Rhine (1941), for which she was awarded the new York critics Association award. New York Drama Critics Circle Award). Hellman gained particular popularity in the circles of supporters of the left-wing political forces in the United States. Lillian was never a member of the Communist party of the United States, but from time to time took part in actions and events of left-wing and liberal organizations, was one of the founders and an active member of the League of American writers. In some of her plays ("watch on the Rhine", " the Searching Wind») Hellman openly criticized the American government for failing to recognize Hitler and Mussolini early on and defeat them then.

In 1950, Hellman was Blacklisted by Hollywood, and in 1952, she was invited to a meeting of the Commission of inquiry into UN-American activities. The Commission was aware that Lillian's longtime partner, Hammett, was a member of the Communist party. She was asked to name her accomplices and associates in Communist activities.

Hellman is one of the most famous American playwrights in the Soviet Union, whose plays were performed in almost all Soviet theaters in the 1940s and 60s. Her fame and popularity in the USSR in those years was largely due to the fact that she was suspected of "sympathies for communism".]