Leilão КАНИКУЛЫ/VACATION 165 Russian, Soviet art. Non-conformism. Decorative art, photos. Archives B. Iofan O. Lepeshinskaya
Por Sovcom
1.6.21
МОСКВА, УЛ. ЩЕПКИНА, Д. 28, Rússia

Русская живопись и графика. Передвижники. Мир искусств и СРХ. Орловский, Кустодиев, Анненков, Бенуа, Добужинский, Тихменев, Лансере. Иконы и гарднер. Плакаты и графика 20-30х годов. ОСТ, Кукрыниксы, Советская и современная живопись и графика, иллюстрации. Редкости и Архивы Б. Иофана и О. Лепешинской. Фотографии Е. Халдея. Советская бронза, фарфор, шкатулки. Нонконформизм, В. Пивоваров, Э. Неизвестный, Д. Краснопевцев, Н. Нестерова. Д. Намдаков. Современные художники.
Выставка открыта с 20 по 31 мая. Торги 1 июня в 19.00. В помещении АД Совком. Москва ул Щепкина 28.
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LOTE 5:

Kustodiev Boris Mikhailovich
Sailor and his sweet lady.

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Sailor and his sweet lady.
Year: 1950s.
Technique: Linocut.
Size: 17,5х16.

Signed and dated lower left.

Kustodiev Boris Mikhailovich (1878, Astrakhan – 1927, Leningrad).

The painter studied at the St. Petersburg Academy of Arts (1896–1903) under I. Repin and participated in the making of The State Council Session (1901–1903, the State Russian Museum, St. Petersburg). His talent as a brilliant portrait painter became apparent in the years of learning already. During the first Russian revolution of 1905–1907 Kustodiev cartooned for Zhupel and Adskaya pochta magazines. In 1908, he began to work in the field of portrait sculpture. He was a member of artists’ associations such as the World of Art and the Russian Artists’ Union. Living in St. Petersburg and Moscow, the artist frequently traveled to upper Volga cities and villages where he painted scenes from traditional country life (the ‘fairs’, ‘Shrovetide’ and ‘village feasts’ series) and colorful folk characters such as the ‘tradeswomen’, ‘tradesmen’ and the bathing beauties known as ‘Russian Venuses’. His first canvas of the kind (Fair, 1906, Tretyakov Gallery) was commissioned by the State Papers Dispatch Department for a planned but never produced series of cheap popular prints. After the 1917 revolution, Kustodiev made his best book illustrations (for N. Leskov’s Lady Macbeth of Mtsensk and E. Zamyatin’s Rus; both 1923, etc.) and stage designs (E. Zamyatin’s Flea for the Second Moscow Academic Art Theater, 1925, etc.). The artist’s works are in the State Tretyakov Gallery, the State Russian Museum, and in many regional museums.