Way of Vicente Macip, Important Saint Matthew the Evangelist next to the Angel, Valencian school of the Macip of ...

Way of Vicente Macip, Important Saint Matthew the Evangelist next to the Angel, Valencian school of the Macip of the 16th century
Oil on panel, this lot is paired with lot 82. Panel measurements: 65 x 52 cm, framed measurements: 75 x 63 cm. Provenance: Madrid palace, private collection, El Viso. Juan Vicente Macip, known as Vicente Macip, sometimes transcribed Masip or Maçip (Andilla, ca. 1475-Valencia, 1545) was a Spanish Renaissance painter, father of the illustrious painter Vicente Juan Macip, better known as Juan de Juanes. He is considered a painter of the 19th century influenced by the works of Paolo de San Leocadio and Rodrigo de Osona. The primitive 19th-century appearance of his early works is due to them, such as the Porta-Coeli altarpiece in the Museum of Fine Arts of Valencia. The arrival in Valencia of some works by Sebastiano del Piombo will mark his later work, as is evident in the most notable of them, the old altarpiece of the main altar of the Segorbe cathedral, which he took charge of between 1529 and 1532, perhaps already counting on the collaboration of his son, which would explain the change in the orientation of his painting. The altarpiece of the Virgen del Remedio in the Church of San Bartolomé in Benicarló is also attributed to him. It is a painting with the Virgin and Child sitting on the throne, surrounded by different saints. The Prado Museum has, among others, two of his paintings in a circular format, representing the Visitation and the Martyrdom of Saint Agnes, painted for the chapel of Saint Thomas of Villanueva in the convent of Saint Julián in Valencia. Provenance: important private collection, El Viso, Madrid. which would explain the change in the orientation of his painting. The altarpiece of the Virgen del Remedio in the Church of San Bartolomé in Benicarló is also attributed to him. It is a painting with the Virgin and Child sitting on the throne, surrounded by different saints. The Prado Museum has, among others, two of his paintings in a circular format, representing the Visitation and the Martyrdom of Saint Agnes, painted for the chapel of Saint Thomas of Villanueva in the convent of Saint Julián in Valencia. Provenance: important private collection, El Viso, Madrid. which would explain the change in the orientation of his painting. The altarpiece of the Virgen del Remedio in the Church of San Bartolomé in Benicarló is also attributed to him. It is a painting with the Virgin and Child sitting on the throne, surrounded by different saints. The Prado Museum has, among others, two of his paintings in a circular format, representing the Visitation and the Martyrdom of Saint Agnes, painted for the chapel of Saint Thomas of Villanueva in the convent of Saint Julián in Valencia. Provenance: important private collection, El Viso, Madrid. two of his paintings in a circular format, representing the Visitation and the Martyrdom of Saint Agnes, painted for the chapel of Saint Tomás de Villanueva in the convent of San Julián in Valencia. Provenance: important private collection, El Viso, Madrid. two of his paintings in a circular format, representing the Visitation and the Martyrdom of Saint Agnes, painted for the chapel of Saint Tomás de Villanueva in the convent of San Julián in Valencia. Provenance: important private collection, El Viso, Madrid.